Hello Internet travelers, and welcome to another edition of Into the Bronze Age! It’s time to explore some more classic, Bronze Age DC comics, and we’ve got a pretty interesting trio of titles to talk about this time. We have a significant issue of The Haunted Tank’s harrowing adventures, a cool and unusual issue of JLA, and finally another frantic feature of the Fourth World! Let’s dive right in, shall we?
- Action Comics #406
- Adventure Comics #412
- Batman #236
- Brave and the Bold #98
- Detective Comics #417
- The Flash #210
- Forever People #5
- G.I. Combat #150
- Justice League of America #94
- New Gods #5
- Superboy #179
- Superman #244
- Superman’s Girlfriend, Lois Lane #116
- Superman’s Pal, Jimmy Olsen #143
- World’s Finest #207
Bolded entries are covered in this post, the others will be covered soon.
G.I. Combat #150
“The Death of the Haunted Tank”
Writer: Robert Kanigher
Penciler: Russ Heath
Inker: Russ Heath
Editor/Cover Artist: Joe Kubert
“The Two-Legged Mine”
Writer: Bob Haney
Penciler: Russ Heath
Inker: Russ Heath
Editor: Robert Kanigher
“Hip Shot”
Writer: Sam Glanzman
Penciler: Sam Glanzman
Inker: Sam Glanzman
Editor: Robert Kanigher
“Ice Cream Soldier”
Writer: Robert Kanigher
Penciler: Joe Kubert
Inker: Joe Kubert
Editor: Robert Kanigher
We’ve got a landmark issue of the Haunted Tank this month! For once, the cover doesn’t lie, and when it promises the “Death of the Haunted Tank,” it is being quite literal! After roughly 60 issues, the plucky little M-3 Stuart tank will meet its demise in this issue. And that cover is a pretty good one, in addition to being honest. It’s dramatic, catching a moment, not before disaster strikes, but just as it is striking, which creates a pretty dynamic effect. Of course, Kubert’s stark work adds to the drama of the moment rather nicely.
Inside, our tale begins in what has become normal fashion, with the spectral J.E.B. Stuart offering one of his habitual vague warnings that could really mean anything, as Kanigher continues to not really take advantage of his awesome premise. In this case, the General’s super helpful warning that “things aren’t what they seem” applies to a seemingly crashed German bomber that is actually a trap for the tank. Jeb and company knock it out in a nice two-page splash, but then their ghostly guardian informs them that this was the last time he could “help” them, and bids them farewell.
As Jeb ruminates on this startling turn of events, his crew continue to contemplate his apparent insanity as he seems to speak to empty air. They roll past a depot where other crews are cannibalizing knocked out tanks for parts. There are two things of note in this scene. First, the other crew actually asks how Jeb’s tiny little Stuart constantly knocks out tanks much heavier than it, joking that it must be because it is haunted. Second, we get a shot of this crew, who include Joe, Russ, and Steve, who are given very detailed faces. I feel like this has got to be a reference to particular folks. I’m guessing, and this is just a guess, that the fellow in the middle is Joe Kubert and the one on the right is Russ Heath. I would love to hear from any readers who actually know!
Anyway, possible creator cameos aside, the ghostly guys next run into trouble when they encounter a Jeep full of wounded troops fleeing a fighter. The crew manages to knock the perilous plane out of the sky (more unbelievable feats!), encouraging the team. Yet, their continued faith in the old Stuart meets a much tougher test later on, when they are sent into a hot zone to aid Dog Company.
The infantry is getting cut to pieces on the banks of a river by a tank and artillery in the woods on the other side. Jeb charges the Stuart into the teeth of the enemy guns, and they get the enemy tank. However, the AT gun tears their little tin box apart piece by piece, and in surprisingly short order, the Haunted Tank dies, though the crew manage to make a frantic escape.
When Jeb and company realize that no more backup is forthcoming, they race to the depot and assemble a new, “Jigsaw Tank” out of cannibalized parts. They take their new makeshift metal monster into combat, just in time to stop two new Nazi tanks charging across the river, and they even manage to clean up the AT gun that killed their previous ride. The story ends with General Stuart returning, and explaining that the tank didn’t matter, only the dedication of the men inside, so the grateful crew christen their new vehicle The Haunted Tank once more.
I actually expected rather more form this tale. It’s a fine, fun story, however unrealistic it is for the guys to assemble a new tank so quickly and easily. Still, I’ve been seeing this cover approaching for some time, and I just expected the death of the tank that had been through so much with the crew to be given a little more weight. Instead, Jeb and co. basically joke about it for a minute, then immediately replace the faithful old girl. Of course, there’s only so much you can do in a 14 page story, but I found myself a bit surprised that Kanigher didn’t make more of the moment. The actual adventures here could have been condensed, with more focus on the central conflict at the river and the loss of the Stuart, which I think would have been more effective.
As is, the story is really rather forgettable. Of course, Russ Heath’s art remains excellent, perfect for the title. He’s a master of both the dynamic battle scenes and even the quiet, character-centric moments. On a broader note, I continue to be disappointed by the lack of development of the premise. General Stuart leaves the crew for most of the issue, but functionally, it doesn’t actually play out any differently than 90% of the stories we’ve read, as he plays no active part in most plots after his traditional enigmatic warning anyway. Well, missed opportunities aside, I’ll give this solid armored adventure 3.5 Mintuemen. At least Jeb and crew now have a tank that might stand a ghost of a chance against German armor in real life!
Justice League of America #94
“Where Strikes Demonfang?”
Writer: Mike Friedrich
Pencilers: Neal Adams and Dick Dillin
Inkers: Neal Adams and Joe Giella
Letterer: John Costanza
Editor: Julius Schwartz
“The Tarantula Strikes”
Writer: Gardner Fox
Penciler: Bert Christman
Inker: Bert Christman
Editors: Vincent Sullivan and Julius Schwartz
“The Amazing Starman”
Writer: Jack Burnley
Penciler: Jack Burnley
Inkers: Jack Burnley and Ray Burnley
Colourist: Raymond Perry
Letterer: Betty Bentley
Editors: Whitney Ellsworth and Julius Schwartz
Alright! Time for another issue of my favorite comic team’s book! Despite the fact that this title has been so uneven since we’ve started, I still find myself excited about it each month, and this issue features my favorite character….sort of! Sadly, we’ve got a pretty lackluster cover, really. It’s got Deadman’s dramatic pronouncement, but the blank blue background and compressed, box-out cover-space don’t do it any favors, and all the pointless occult paraphernalia in the foreground can’t change that. Of course, the actual art is lovely, as Neal Adams contributes the image, as well as several pages inside! Yet, the biggest trouble with this cover is that it spoils a significant part of the story, which is a shame.
As for that story, it is actually a pretty darn good one. We begin with a wonderfully detailed splash page of the League of Assassins’ leader, the enigmatic Sensei, who is plotting revenge against an unknown JLA member for a previous slight. We join the trio of characters who disappeared from the last arc, Batman, Green Arrow, and the Sea King himself, Aquaman, as they prowl about the waterfront, hunting for an assassin who hunts them in turn. The Bold Bowman spots a flash from the killer’s scope, and the heroes leap into action, quickly corralling the gunman. Yet, the assassin refuses to talk, and the Leaguers are left in the dark about who is the target of the “Demon’s Fang,” the League of Assassins. That’s right, it’s League vs. League!
Back at the Demon Fang’s headquarters, the Sensei is not pleased that his man has missed his mark, and he summons one of his best, Merlyn, the archer. We get an interesting note of continuity and world-building here, as the League of Assassins are part of Ra’s Al Ghul’s set-up and have been introduced in the Batman books, so it is exciting and surprising to see them here. What’s more, the Demon’s Head, Al Ghul himself, gets name-dropped, as Merlyn mentions that their master has a special interest in their target. Nonetheless, the ancient Sensei is adamant, and the archer is sent on the attack.
Meanwhile, everyone’s favorite sleaze, Morgan Edge, makes another universe-building appearance, and sends Clark Kent out on assignment. There are hints of Intergang’s involvement, and the under-cover Kryptonian brings along a little action figure-sized ace -in-the-hole, the Atom, as the assignment brings him near the last known location of the missing Leaguers. Yet, before they can arrive, their news van is ambushed with arrows! Superman attacks, only to be taken out of the fight by special gadgets prepared by the Demonfang techs, including a gravitational arrow which increases the pull of gravity on the Man of Steel exponentially.
The Atom, after delivering a great pint-sized punch, is also put out of commission by a sonic arrow. Now, if you had told me that Merlyn was taking on a significant subset of the League on his own, I would have said that was silly, but Friedrich actually manages to write his way around the problem of a vastly under-powered villain with some reasonable gadgets. It’s nice to see Superman treated as something other than completely unstoppable, and without recourse to Kryptonite or something completely silly. Is it convenient that Merlyn has trick arrows that can take out these heroes? Yes, but I’ll buy it for the purposes of this story.
Unfortunately, our other heroes don’t have much better luck than their fellows, as our original trio finds their captive assassin killed almost as soon as they turn him over to the police. On the arrow that killed him is a note, which declares that “The price of failure in the League of Assassins is death!” It is signed by the mysterious Merlyn, and it is here that we discover that Green Arrow knows our enigmatic assassin. Merlyn was a master archer, and he was Ollie’s first great rival, who embarrassed him in a competition before disappearing, only to emerge now, as a master of a decidedly more deadly discipline.
The titanic trio set out on Merlyn’s trail, but we have an odd little moment where Batman asks Aquaman if he has enough time, and the apparently confused Sea King responds, ‘sure…uh…why not?” I saw what was coming, and I was a bit annoyed by it, and sure enough, as soon as they reach their destination, a creepy old house that is definitely not a trap, the Marine Marvel passes out. He’s been out of water too long (that darn 1 hour limit can’t go away soon enough!), and I just couldn’t believe Friedrich had put the character in the book just to have him act this stupidly. But, when the Caped Crusader finds a fountain inside and submerges the submarine superhero, things take a much more interesting turn, as the Dark Knight puts Aquaman in a headlock and demands to know….who he is! Just then, the trap springs, and Green Arrow is locked in a vacuum tube!
While the hunted heroes investigate the house, the agonized Atom manages to smash the sonic arrow and free himself, and he comes up with a novel way to free the Metropolis Marvel too. He can’t budge the gravity device, but he wraps his belt around it and enlarges the machine until it becomes unstable and explodes! That’s actually a really clever solution, and fitting for the brilliant Ray Palmer. The haggard heroes aren’t yet back at a hundred percent, however, and they must hitchhike towards their allies!
I love the hilarious banality of Superman having to listen to some schmo blather on as he hitches a ride! “Really, I have more important things on my mind, man!”
Back in the villain-haunted house, the Masked Manhunter can’t break his Emerald ally out of his glass prison, but Superman, recovering enough to take flight and escape their blabbermouth chauffeur, is able to spot the predicament with his super vision and hurl the Atom hard enough to free Ollie. It’s really a nice sequence. Yet, at the same time, Batman has become stuck on the fence that separated him from his fallen friend, a perfect target for Merlyn, who has emerged at last to kill his true target…the Dark Knight, of course! He lets fly, but the stunned Green Arrow recovers rapidly enough to string and fire an arrow just in time to deflect Merlyn’s killing shot! His nemesis salutes such a fine shot, and his carefully calculated chance gone, the magician uses a jetpack built into his quiver to escape. Merlyn himself is now a hunted man, as he reminds the heroes that “the price of failure in the League of Assassins is death!”
It is then that the “mystery” of Aquaman’s identity is solved in another pair of Adams-penned pages, as the Sea King and the Dark Detective discuss the case. It turns out that Deadman took over the Marine Marvel’s body because the being he serves, Rama Kushna, warned him of an attempt to kill a Justice Leaguer which would upset the balance of the world. He didn’t know who the target was, and the Sea Sleuth was just the first hero to hand, effectively. That’s why he ran himself out of gas (or water, as the case may be), and made various other mistakes. All of this was in revenge for Batman interfering with the Sensei’s attack on Nanda Parbat back in Brave and the Bold #86, apparently, which I must have read but have forgotten.
Of course, this would be a lot more impressive if we didn’t know Deadman was possessing Aquaman from the cover (even if I did get swept up in the story enough to forget!). Yet, the tale doesn’t end there. It ends with a return to the JLA Satellite, where something is wrong with the teleporter, something that we won’t discover until next issue! Meanwhile, the Sensei has learned his lesson, and the next time he strikes, he shall isolate and destroy his enemy!
Well, the non-reveal aside, I really enjoyed this issue, despite some trademark overwriting and generally deplorable dialog from Friedrich. It’s a lot of fun, and it is really great to see the universe-building happening in other books filter into the flagship title like this. How interesting must it have been to be reading the Bat-books and JLA, and to see these characters and concepts jump from one title to another? Of course, this makes perfect sense, but it isn’t the kind of thing that you see that much in DC from earlier eras. I imagine it will become more common as we get further into the Bronze Age.
In addition, the story is pretty solidly plotted, with events having a decent logic to them, with characters acting with clear motivations. As I was reading, several story beats seemed off to me, only to be revealed to work perfectly in Friedrich’s plot, which was a pleasant surprise. On another note, the removal of Kryptonite seems to already be paying story dividends, as it has forced Friedrich to come up with a clever way of taking the Man of Tomorrow out of the fight, rather than relying on the formerly ubiquitous mineral. One of the only real downsides to this tale is that Aquaman doesn’t actually get anything to do, which seems like a real waste when he features so prominently in the comic, especially since he isn’t actually Aquaman.
The art is solid throughout, though evincing the standard weaknesses I’ve come to associate with Dillin’s JLA work, though the interpolated Adams pages are beautiful. They are also a bit distracting, as the clash of styles is very noticeable. Nonetheless, this is a fun, interesting issue, with some fascinating world building happening that still manages to include a solid adventure. I’ll give it 4 Minutemen.
New Gods #5
“Spawn!”
Writer: Jack Kirby
Penciler: Jack Kirby
Inker: Mike Royer
Letterer: Mike Royer
Editor: Jack Kirby
“Introducing Fastbak”
Writer: Jack Kirby
Penciler: Jack Kirby
Inker: Vince Colletta
We finally return to the centerpiece of Kirby’s Fourth World epic, and it is a definite improvement over the somewhat understated and disappointing last issue, as the operatic action that suits this book best is back in spades. Our dramatic tale lies beneath a solid, if flawed cover. It’s got a nice, dynamic image in the central brawling characters, though their poses are a bit odd. Yet, their size rather downplays the significance of the massive monster symbolically squeezed into the corner. The orange background doesn’t really help either, especially with Orion’s red costume. Kirby just isn’t producing his best covers for this run, which is a real shame, as the stories really beg for ‘kapow’ images.
This particular issue begins with Metron, who is traveling through dimensions once more. This time his wanderings take him to one of the most memorable and dramatic settings from Kirby’s Fourth World, the Promethean Galaxy, the last barrier of the Source, where float for all eternity the Promethean Giants who give the place its name. Kirby gives us an amazing, dramatic two-page splash, depicting the size and scope of this strange sight as only the King could. It’s a really striking image. We discover that these giants were beings who tried to force their way to the source, and in return for their hubris, they are bound forever in suspended animation, just short of their goal. I love this concept, wonderfully archetypal, reflecting all of the myths of giants and titans, who have traditionally been associated with the sin of pride and destroyed by the deities they opposed. What a wonderfully Kirby-cosmic treatment of the theme.
Star-sized super-beings aside, once his contemplation is finished, Metron returns to New Genesis, but our story is much more concerned with a humbler sphere, the Earth, where a detective named Terrible Turpin is interrogating Dave Lincoln after the events of the last issue. Turpin has discovered the war between gods that is brewing in his city, and he’s determined to put a stop to it, before the place is leveled in the process. When Lincoln returns to Orion’s human allies, we check in with them, but the Useless Crew continues to contribute little to the plot, other than some exposition and general fretting.
Fortunately, we don’t waste too much time with them, and we soon rejoin Orion, who was captured by the Deep Six last issue. He’s pinned by a giant clam, where he is taunted by Slig, who also demonstrates the Six’s sinister powers, the ability to mutate living beings with just a touch from his right hand, and to kill instantly with his left! Fortunately for the Dog of War, he is able to free himself with a hidden device after his captor has finished his gloating, though he discovers that the clam is more than meets the eye.
What follows is a cool sequence as Orion battles his way through various mutated menaces, who all have wonderfully cool Kirby designs (the man just constantly produced awesome creations, even for these little creatures which we’ll never see again!). Finally, the hunted hero discovers a massive, battleship sized cradle, which once held some gargantuan beast created by the Six, but now lies ominously empty.
Back in the city, Turpin continues his investigation and the Useless Crew continue their fretting, but they are all interrupted by the coming of….Kalibak! Darkseid’s scion arrives with a smash, prepared to spread fear and devastation on Earth! However, Orion is busy elsewhere, so the Cruel one will have to keep for the moment. Back in the undersea caverns, Slig finally finds his quarry amid a pile of smashed guards. Unfortunately for him, the warrior has also found something, his Astro-Harness, and he blasts his foe in the face before proceeding to pummel him pitilessly.
It’s another great sequence, and Kirby shows us the savage joy Orion takes in the terrible thrashing he administers, as well as showing us Slig’s beaten face. The King actually manages to make this malicious monster a little pitiful in that moment. Interestingly, Orion’s brutal visage is revealed by the violence of his attack, and he is forced to have Mother Box replace his fallen features, another hint about his origins. Finally, the Dog of War disposes of his fallen foe by tossing him into a pit and sets out in search of the monster the Six have unleashed. We get a glimpse of the beast in a nice splash page, but lacking anything to establish its scale, it’s not as effective as it might be.
So this is a great, action-packed issue, setting up a lot of what’s to come with Terrible Turpin and Kalibak’s chaotic arrival, as well as the monster unleashed on the seas. There is a lot going on here, and Kirby handles it quite well. While the time spent with Orion’s supporting cast feels wasted, every moment with the warrior’s quest is exciting and dramatic, and the glimpses of the wider mythology with Metron are fascinating. The whole thing feels operatic and earth-shaking in the best ways, like a particularly good issue of the classic Fantastic Four, but elevated by the cosmic overtones and archetypal underpinnings of the Fourth World.
It’s also fun to see Detective Dan Turpin introduced, as he will later be recast as a tribute to Kirby himself in Superman: TAS, where his bulldog attitude and heroic perseverance make him a fitting match for his creator. On the art front, this issue looks quite good, and it is immediately noticeable that Colletta is gone from the book. Mike Royer’s inks aren’t perfect, but they seem to pick up more detail and generally drown out Kirby’s pencils less. At least so it seems to my inexpert eye. As I said, I love the creativity of the Deep Six’s monster minions. Why no-one has brought the Six back as recurring Aquaman villains, complete with a Kirby-esq monstrous menagerie of mutants is quite beyond me. Missed opportunities aside, I’ll give this exciting adventure 4.5 Minutemen.
“Introducing Fastbak”
We get another brief Young Gods backup strip in this issue, this one featuring Fastbak, a free-spirited New Genesis youth with a need for speed. Once again, there are only four pages to the strip, so there isn’t really time for Kirby to do much with the character, but we see him lead the New Genesis equivalent of cops, the Monitors (no, not those Monitors) a merry chase as he flies around Supertown at reckless speed.
The aptly named Fastbak is joined by more restless young gods, and when he finally comes to ground, he is given a quick wardrobe change by his friends just in time to sing before Highfather. It turns out that our rebellious friend has the voice of an angel when he’s not busy raising Cain. This was a fun little strip, full of exuberance, energy, and the boundless enthusiasm of youth. With Fastbak and his fellows, Kirby immediately humanizes the New Gods by showing us a fitting parallel to our own youthful foolishness even in their hallowed halls, yet this youthfulness is presented in an inimitable Fourth World fashion. Of course, the King also gives us more great designs both in characters and wild Kirby-tech. I’ve decided I’m not going to rate these backups, as they are really too brief to be judged as full stories.
Well, I will close out this post with Fastbak’s flying feats and bid you all a fond farewell until next time! I hope you enjoyed my coverage of these exciting adventures and that you will join me again soon, for another edition of Into the Bronze Age! Until then, keep the Heroic Ideal alive!
“The Last Survivors of Earth!”
Finally, in California, Batman is left alone to confront the arriving Muian ship, and his valiant but foolhardy barehanded attack against the technological marvel, ends in defeat. It’s a shame he didn’t have an advanced jet with all kinds of weapons on hand. Once again, Green Arrow’s temper gets everyone in trouble. The League just might be better off without him.
Despite the slightly awkward ending, there are a lot of neat elements in this tale, interesting and thoughtful little touches, like having Aquaman be called in as an expert in lost civilizations, some decently graceful attempts at exposing readers to other cultures, and even a little romantic intrigue. The lost continent of Mu itself is a really fascinating concept, and it’s a shame it didn’t get a bit more development here, though that’s often the case for comics of this era. I’m curious if anyone else ever made anything of the seeds planted in this story. The threat the heroes face is one well suited to the League, and it’s an interesting change of pace that the team doesn’t actually save the day. Most everyone gets something to do, though Aquaman gets the short end of the stick, as usual. Dillin’s art is uneven in this one, alternately very strong and rather awkward, but for the most part he turns out a very pretty book. There are a few just strange looking panels, though, like Batman’s awkward run. In any event, this is an enjoyable read without the weirdness of the some of our previous issues. I’ll give this one a solid 3.5 Mintuemen.
“Orion Fights for Earth!”
The scholar warns the warrior of Darkseid’s plans, telling him that the Apokaliptian monarch even now works on a device that will allow him to search all of the minds on Earth for the mysterious and sinister ‘Anti-Life Equation.’ Before vanishing as mysteriously as he appeared, he also reveals that Darkseid began his search there on Apokolips with a quartet of kidnapped humans. The warrior frees the captives, and holding Kalibak off, opens a boom tube to Earth to help them escape.
Then to War! Wow! Summarizing this book was a real challenge. Since so much of this is new and since there are so many big ideas flying around, it is tough to be brief when talking about this story. In fact, I left some interesting moments untouched, like the glimpse of New Genesis’s culture revealed in Highfather’s reverence for the innocence of youth, which itself is an effective shorthand for his world’s love of freedom and for the stakes for which this galactic game shall be played. In general, this is a great story, though it will eventually be overshadowed by what comes after. Kirby’s art is a little rough in some spots, and of course Colletta’s inking doesn’t do him many favors. None the less, the visual imagination at play is wonderful, with both New Genesis and Apokolips fitting perfectly into their archetypal roles. Kirby’s imagination is clearly unleashed in this book, and the fruits of his labors are wondrous. There are Promethean structures everywhere, and many panels stress the scale of the world we’ve entered, as Orion is shrunk to insignificance before a starfield or an ominous edifice.
I’ve mentioned how archetypal this story is, and that is an important part of its success, as the King is essentially creating a new myth, working in the broad, bright colors of legend, evoking the eternal struggle of the Norse Gods, the Olympian war against the Titans, or similar cosmic conflicts. This is a larger scale, a much larger scale, than anything we’ve seen in DC Comics, and clearly already more fully realized than any similar worldbuilding we’ve seen in the last year. The only parallels can be found in Kirby’s own work in Marvel, but with the Fourth World the King seeks to surpass even those heights . Think about how astonishing this book must have been when it hit the stands amongst the mundane everyday stories filling DC’s books. Even this month’s Justice League tale, which has some measure of imaginative reach, feels positively cramped and halfhearted by comparison. Despite that, he’s doing some pretty solid character work even from this first chapter, especially considering the era. There are mysteries surrounding Orion, and a lot of personality at play in everyone we meet. The impression of depth is downright palpable, and you just know that this conflict sprawls far beyond the pages of this book. What’s more, we can see the lasting impact of this story in the fact that so many of its elements, even just from this first entry, have gone on to become central elements of the DC Universe. It’s a great beginning, and I can’t wait to read the rest of the series! I’ll give this first chapter 4.5 Minutemen, as it loses just a little for the clunkier moments.
“The World of the Super-Ape!”
The Greylands 
