- US performs underground nuclear test at Amchitka Island Aleutians
- Mariner 9, 1st to orbit another planet (Mars)
- Intel advertises 4004-processor
- The Compton inquiry is published, acknowledging that there was ill-treatment of internees, but rejected claims of systematic brutality or torture (Northern Ireland)
- The US increase air activity to support the Cambodian government as fighting neared Phnom Penh
- China performs nuclear test at Lop Nor, PRC
- Battle of Garibpur: Indian troops aided by Mukti Bahini (Bengali guerrillas) defeat the Pakistan army
- China People’s Republic seated in UN Security Council
- American “Dan Cooper” hijacks plane, extorts $200,000 ransom before jumping out of plane over Washington State, never seen again
- Soviet Mars 2 becomes 1st spacecraft to crash land on Mars
- Republic of Ireland states that it will take the allegations of brutality against the security forces in Northern Ireland to the European Court of Human Rights
- Multiple deaths in Ireland, intentional and accidental, as IRA and security forces clash in bombings, ambushes, and sniper attacks
The Troubles in Ireland heated up this month, with the IRA stepping up attacks and the death toll rising. The racial troubles in the U.S. seem a little quieter this month, and we see an important moment in world history, as Communist China joined the center of U.N. power, the Security Council. This decision would have major and far-reaching consequences. One wonders if it solved more problems than it created. We also see tensions rising elsewhere in the world, as the early stages of the Indo-Pakistani War are taking place on the two countries’ borders.
On a more positive note, the space race continues, and man-made satellites reached mars. The U.S. remained in the lead, with the Soviets trailing behind and the crash landing of their probe. It’s amazing to me how much was accomplished in just a few years.
At the top of the charts this month we have two songs tied, two very different songs. The first is Cher’s “Gypsies, Tramps, and Thieves,” which is a pretty fun and very 70s song. The second tune is the legendary, wonderfully funky theme song of Shaft! As you know, he’s one bad mother-
-Shut your mouth!
-I’m talking about Shaft!
Can you dig it?
(You can see everything published this month HERE)
- Action Comics #406
- Adventure Comics #412
- Batman #236
- Brave and the Bold #98
- Detective Comics #417
- The Flash #210
- Forever People #5
- G.I. Combat #150
- Justice League of America #94
- New Gods #5
- Superboy #179
- Superman #244
- Superman’s Girlfriend, Lois Lane #116
- Superman’s Pal, Jimmy Olsen #143
- World’s Finest #207
Bolded entries are covered in this post, the others will be covered soon.
Action Comics #406
“Master of Miracles”
Writer: Leo Dorfman
Penciler: Curt Swan
Inker: Murphy Anderson
Editor: Murray Boltinoff
“The Challenge of the Expanding World”
Writer: Bob Haney
Penciler: Alex Toth
Inker: Alex Toth
Editor: Murray Boltinoff
“The Ghost That Haunted Clark Kent”
Writer: Leo Dorfman
Penciler: Curt Swan
Inker: Murphy Anderson
Editor: Murray Boltinoff
Well, this is a new one. We’ve got Clark Kent haunted by the headless ghost of Superman. Only in comics, folks. This is certainly a striking cover. I mean, you can’t help but wonder what in the screaming blue blazes is going on inside, but it seems to declare a very particular type of tale awaits within, the traditional gonzo Superman yarn. Notably, this issues is one of those rare few where the headline story is not the source of the cover, though I guess almost anything would pale in comparison, at least in the ‘what the heck’ sense, to a decapitated spectral Man of Steel.
The first story inside is actually quite solid, despite its lack of guillotined ghouls. It begins with Clark being dispatched in his ‘rolling newsroom’ (I’m curiuos how long this thing is going to hang around) by Morgan Edge to get the scoop on a mysterious new guru known as “The Master” attracting the best and brightest minds in the country to a commune called “Sanctuary.” Edge’s dismissive comments on communes made me laugh, as he declares “Bah! Most communes are run by dropouts from life”. He may be a jerk, but he’s not wrong. Well, Mr. Mild-Mannered heads out, only to find a bus of scientists on their way to meet the Master stuck trying to cross a river and in danger of being swept away by a flood.
Clark changes to Superman and rescues the imperiled pilgrims, but as he flies away with the bus, he sees the mysterious Master appear and freeze the onrushing wall of water. The guru is cryptic and enigmatic in his speech, in classic mystical mumbo-jumbo fashion, and predicts a coming global catastrophe. He brings the new arrivals into Sanctuary, an otherwise deserted valley, and puts them to work picking up litter. Posing as one of the faithful, Clark decides to get a closer look. He observes the Master gather all of the recovered glass bottles, melt them down in an instant, and form them into giant dome to serve as the shelter of Sanctuary.
When Clark tries to enter, the Master reveals that he knows the hero’s secret identity and, using “prophet power”, predicts an imminent emergency that will need Superman’s attention. The Man of Steel rushes off to save a train full of dangerous chemicals threatened by a raging forest fire, using a tanker of carbon dioxide to smother the flames. Yet, he laments that even this solution added to the planet’s pollution.
Determined to solve the mystery of the Master, the Metropolis Marvel heads to his Fortress of Solitude, to use its computers. While there, he gets a message from the Bottle City of Kandor about their census computer having broken down…and he’s really sort of a jerk as he dismisses them. He uses a “blackout beam” on the bottled city to cut off communications. That seems unnecessarily harsh! Another “emergency” distracts the Man of Tomorrow from today’s problem, sending him rushing to Metropolis. The problem? Their new jets are too noisy and are breaking the windows in the city…which really doesn’t seem like a job for Superman. Nonetheless, the Action Ace whips up a floating airport in the bay using a mothballed fleet for materials, but once again, he is left lamenting the environmental impact of humanity.
Back in Sanctuary (you didn’t think they’d forgotten about it, did you?), the Master has melted down old cans and walks across the molten metal to display his powers, finally shaping the metal into a cone structure. He then leads his followers into a ‘hall of learning’ made out of discarded plastics, and Superman begs to join him, saying he realizes that there is much for him to learn. The Man of Steel even humbles himself by putting the Master’s sandals back on his feet.
Inside the hall, the pilgrims feel the structure begin to vibrate as a video screen plays a tape of the Master claiming to be part of an alien race that had seeded humanity on Earth and has now sent him back to rescue part of the population from the coming destruction of their planet. Superman, using X-Ray vision, realizes what is really happening, and rushes outside to confront the Master, who has combined his three structures into a rocket. Examining the guru’s shoes, the Man of Tomorrow realizes that they are actually from Kandor. In fact, the charlatan is also from Kandor, and he was preparing to kidnap his followers and head to another planet where he could be a superman.
Apparently, this fellow, Van-Tarr, followed Superman out of Kandor, enlarging right behind him, and then used his powers to fake the abilities of the Master. Now, this surprised the heck out of me. I thought that the whole point with Kandor was that Superman couldn’t enlarge them…but apparently he can and just doesn’t. What in the world?! If that’s the case, our hero is basically holding these people hostage! Any of you readers know what the explanation of this is?
Well, whether Superman is Kandor’s savor or jailer, the story ends with him saving the Master’s former followers and returning the would-be world-ruler to the bottle city and telling the story to Morgan Edge.
This is a pretty Silver Age-ish tale, in its way, with an enigmatic newcomer who has powers to rival Superman, but the mystery it develops is actually handled reasonably well. The Master is intriguing, and I enjoyed the reversal of his supposed origin, which itself would have not been out of place in comics. The environmental focus of the story was also interesting, with the charlatan taking advantage of people’s anxiety about pollution, which was reinforced by Superman’s own observations throughout the story. Clearly, this topic is still very much in the zeitgeist. Swan’s art is excellent as usual, and I particularly liked his depiction’s of the Master’s feats. All-in-all, this is a fine, enjoyable tale. I’ll give it 3.5 Minutemen.
“The Ghost that Haunted Clark Kent”
So, as goofy as the cover and central image of this story are, the backup itself is not as bad as I expected. We certainly have some truth in advertising here, as the tale starts with almost the exact scene from the cover, with Clark Kent being brought to see a headless, spectral Superman stalking the walls of the Tower of London. He’s in town to film a TV special, and the Beefeaters at the Tower naturally called him in to see this phenomenon. Well, the curious Clark fakes a case of the creeks in order to switch into Superman and spy on the specter. He discovers the figure passing through walls into a sealed chamber inside the fortress, where he becomes solid. Drilling up through the foundations of the ancient pile, the Man of Tomorrow emerges in an ancient laboratory and faces a man in a Superman costume with a very strange, almost deathly visage.
Instead of the fight we are all likely expecting, this phantasmagoric figure introduces himself quite politely. It turns out he is Dr. Troy Magnus, once the royal physician back in 1665, during the last great Black Plague outbreak in England, and his story is a tragic one. He was an alchemist, and he sought a potion to cure the plague. He tested it on himself, and it seemed to work for a time. Then, suddenly he was gripped with fever, but instead of dying, he turned into a phantom. After a while he became corporeal again, but he now became a typhoid Mary, passing the plague on to all of those around him. Horrified, he begged the guards to kill him, but his body became spectral whenever he was threatened. Desperate, the devastated doctor volunteered to be sealed up inside a wall within the fortress, where the alchemical portion has kept him alive all this time.
Whew! Well, what does all of this have to do with Magnus dressing up like a mummy Superman? Nothing, actually. He wanted to attract Superman’s attention, and being a specter, was able to suss out that Clark and he were the same. Deciding that just a crazy ghost sighting wouldn’t be enough to attract the Action Ace’s attention, he did the only logical thing…pose as a headless, ghostly version of the hero. That is…just so weird and unnecessary. This story would work perfectly well without this contrivance. This is the ridiculous world of this era of Superman, though. He’s the center of the universe, and everything relates to him. Clearly this is one of those cases where someone came up with a cover image and scrambled to find a story to justify it.
Paper-thin excuses for a Superman connection aside, the reason the alchemist has contacted the Man of Steel is that he hopes, with all his vast powers, the Kryptonian can finally end his long life. That’s actually rather sad, and Swan does a great job of putting some anger and desperation in Magnus’s face as he pleads with the Man of Tomorrow to kill him. Of course, the Metropolis Marvel refuses, but he agrees to seal up some gaps in the specters sepulcher. Yet, when he uses his heat vision to do so, he accidentally strikes a mirrored alchemical machine, and as the deathless doctor tries to save his device, he is struck…and dies! Considering that this comes moments after him having pleaded for death, you can’t help wondering if this was an elaborate form of suicide…which is really a little uncomfortable in a book like this. As you might imagine, Clark is devastated by having accidentally taken a life, which is a huge thing that, I’m sure, will never be mentioned again. The story ends with the sobered superhero resealing Magnus’s tomb so his plague doesn’t harm anyone, even in death.
So, what do we make of this weirdo tale? Well, it really isn’t a bad story in concept, despite its ridiculously contrived central image. The tale of poor Troy Magnus is a brief but effective one, and it is quite sad seeing this noble fellow, who only wanted to help people, cursed for his efforts. Yet, it’s all outlandish enough that it really could use more space to work, and the ghost running around in the super-suit is just silly to the point of detracting from the gravity of the story. Most importantly, however, Dorfman’s ending, having Superman be responsible for a death without any reflection or time to process what that means, is just terrible. I’m reminded of a previous bi-polar story by Dorfman with a similarly unnecessarily dark ending. There could easily have been an interesting yarn here, but once again, Dorfman rather dorfs it up. I’ll give this odd little backup 2 Minutemen.
P.S.: This issue includes a reprint of part 1 of a really neat Atom/Flash team-up that I am sure I must have read at some point of time but can’t remember for the life of me. It’s got great Alex Toth art and an exciting, imaginative plot.
Adventure Comics #412
“The Battle for Survival”
Writer: John Albano
Penciler: Art Saaf
Inker: Bob Oksner
Editor: Joe Orlando
Animal Man: “I Was the Man With Animal Powers”
Writer: Dave Wood
Penciler: Carmine Infantino
Inker: George Roussos
Editor: Jack Schiff
Alright, now that’s a cover designed to catch your attention, isn’t it? We’ve got cool looking aliens, gladiatorial combat, and Supergirl with a big-honking sword. I would have passed right by most of the Adventure covers we’ve seen so far, but this one would certainly have given me pause! About the only problem with it is that the blue giantess that our heroine has apparently defeated looks more curious than worried about the sword poised over her heart, Damocles-style. Well, that and the somewhat awkward placement of her figure in relation to Supergirl. Fortunately, this exciting cover is a good match for the tale within, and if you happened to pick this comic up because of it, you probably weren’t disappointed. The story starts with the unnecessary Nasty witnessing a really crazy scene, as she spies Supergirl stealing a painting while a horde of bizarre bugs swarm over the street! Rushing to a phonebooth, she calls the news team, thinking to *sigh* prove Linda is the Maid of Might. However, it is Linda herself who answers! For the first time, Nasty actually has a reason to doubt the almost certain knowledge she’s carried, but ignored, for so many issues.
Anyway, the team arrives and finds the bug bonanza under control by the police and get footage of the insect insanity and the art gallery crime scene. Linda manages to convince Johnny to give her the rest of the day off (I’d like hours like that!) so she can set out after her imposter. On a nearby roof, she finds the spurious Supergirl just waiting for her. The duplicitous doppelganger greets the Maid of Might and tells the original that she must test her, throwing a handful of explosive capsules, any one of which “is usually enough to destroy an entire city” at the young heroine!
The Girl of Tomorrow smothers the explosives in her hand, which apparently passes the test. (Sheesh! That seems a bit extreme, especially given what we’ll see of the stranger’s motivations later on.) The counterfeit Kryptonian confesses that she is from the planet Liquel II and masqueraded as Supergirl to get her attention. She then blackmails the heroine into accompanying her home, threatening the innocent inhabitants of the city if she doesn’t.
The Girl of Steel agrees, and the pair blast off, arriving just in time for the alluring alien, Glynix, to enter Supergirl into a gladatorial contest for the fate of her world. It seems that Glynix and her mate Largyn are the rulers of their world, but they have been challenged by a vicious tyrant named Zogg. The cosmic equivalent of the U.N. has ordered that all conflicts be settled by combat between champions instead of wars, and the desperate Glynix forced the Maid of Might into the fight as a last resort. We get a really silly moment where the girl suddenly realizes that, hey, maybe that wasn’t fair, but the story rushes on. Supergirl agrees to fight, not for the rulers, but for their people, and she squares off with the big blue gal from the cover.
Art Saaf draws a nice looking fight scene, as Supergirl battles big blue, but her first attack seems to pass right through the giant, earning her a thrashing for her trouble! The titan tries to crush her, but the Girl of Steel is made of sterner stuff and manages to escape, though Glynix is so worries, she almost calls off the combat rather than see the heroine hurt. In something of a leap of logic, Supergirl works out that the giantess must have hypnotized her, because clearly it is impossible that an alien could have the ability to phase out. In a clever move, Linda uses her heat vision to blind her foe and uses that advantage to absolutely annihilate the girl gladiator.
With the fight over, Glynix rushes out and gives her erstwhile champion a sword, leading Supergirl to discover that she must either finish her foe or the young ruler will pay the price instead. As all good superheroes do, the Maid of Might finds a third way, and calls on the gathered populace to change this unjust custom. They support her and free their leader, only to have Zogg turn their army against them. It seemed that the cowardly Largyn never thought Supergirl could win, so he cut a deal with Zogg to keep some power. Glynix refuses to give in, and Supergirl rescues her before Zogg can have her killed, returning to destroy the weapon’s of the tyrant’s troops in a fun scene.
Yet, the would-be world-beater is not finished yet, and he calls on a buried and outlawed superweapon to destroy the Girl of Steel. The “shock ray” shoots Supergirl, knocking her out of the sky. She survives, if only barely, but before Zogg can fire again, Largryn finally finds his backbone and intercedes. The two draw knives and engage in a vicious struggle, rolling into a moat that suddenly appears, despite the fact that all of this has, until this page, been taking place inside the arena. After a tense moment, the restored ruler emerges, having finished off his foe. A recovered Supergirl takes her leave, and arrives home exhausted.
This is a crazy, plot-packed adventure, but it is a great kind of madness. It is just stuffed with adventure, action, and fun. You’ve got a whole epic story crammed into 21 pages, but it worked fairly well, with little mini-arcs for both of Liquel II’s leaders, even if Glynix’s hasn’t been thought out all the way. The gladiator fight is great fun, and Zogg makes for a solid, scenery-chewing bad guy. The whole thing works as a classic sci-fi super saga despite a bit of silliness here and there. I thoroughly enjoyed its wild ride. Art Saaf, who I don’t think I’ve encountered before, does a marvelous job with the art. It’s bold, energetic, and really lovely, with lots of personality in the dramatis personae. I’ll give this fun tale of a super-fracas 4 Minutemen.
And that will do it for the first post on this month’s books. I think we’ve got a promising beginning. I hope we’ll find the rest of our books as much fun as Supergirl! Please join me again soon to see what Batman has in store for us this month. Until then, keep the Heroic Ideal alive!